in general are based on two basic principles, dynamic and static. Dance, music, and theatre are the arts dynamic in #nature
whereas painting; #sculpture
are static in nature. Indian philosophic ramifications have blended these arts practically and each of these arts found substance with one another or their diversified approaches in unified substance. The basic expressive means through which dance and music breathe is rhythm integrated with the principle of time, painting sculpture and architecture through form integrated with space. #Dance
are the arts non-permanent in the context of time and space and the #rasika
, the spectator is an integral part of the creative process of rasanubhava be it in the surroundings of divine or mundane
where as painting and sculpture are permanent but do not involve the rasikas in the process of creation. The rasikas derive their #aesthetic
experience on the finished paintings and sculptures. The profundity of the creative dynamism of dance , far-reaching based on innovations from time to time caught the ever-searching minds of sculptors and appealed them. They began to use these fleeting movements and captivating poses in all possible ways allowing them to transform their rigid forms into the forms of flexibility, dynamism and improvisation which broken the monotony on the architectural space. Thus dance sculptures are the embodiment of form, rhythm, unity, synthesis of structure and harmonized in the architectural space.
#yogasutra #indology #incredibleindia #indiaig #indianclassical #indialicks #dharma #landofyoga #indianclassical #natya #classicaldance #indianartists #indiaway #india_undiscovered #indiastories #indorussianarts #russia